Project Stefania Tansini, Luca Del Pia
Technical direction Luca Giovagnoli
with the support of
CapoTrave / Kilowatt Tuscany Residence Center
Duration 30 minutes
VIDEO SOUND PERFORMANCE
A visual and sound amusement park, an over-stimulation that pushes the viewer to choose between a more specific vision of fragments of episodes or a vision of the entirety of the project, letting one's body get lost in the flow of images and sounds.
With Luca Del Pia a research work is still in progress that tries to outline the possibilities of the relationship between body and video, in different places, situations, times.
How can a presence in an environment act, live and be experienced through video language? How do the two languages (video and body) influence each other and interact?
text and narrating voice Guido Barbieri
dance Stefania Tansini
music and live electronics Paolo Aralla
Where the flight ends
Dove finisce il volo reflects in the gestures of the dance, in the words of the story, in the sounds of the live electronics the itinerary of this progressive separation from existence, of this unstoppable loss of every possible voice.
Based on the story of Wera Ouckama Knoop, the dedicatee of the Sonnets to Orpheus, a young friend of Rainer Maria Rilke's daughters who, at the age of eighteen, was struck by a destructive form of muscular dystrophy: the same illness that in 1926 also led to Rilke's death.
CRISOL - creative processes
Experience the possibilities of relationship between body and video in different dimensions.
Installation structured in four episodes.
Project: Stefania Tansini, Paolo Aralla
Choreography, dance: Stefania Tansini
Sound project: Paolo Aralla
Organization: Claudia Coccia
A performance that starts with a reflection on the 'home' of a place where the body is at ease and has the opportunity to release its barriers, to open and share its deep inner world.
A performance that explores this physical and environmental condition, then translates it, disintegrates habitual relationships and asserts itself in new relationships.
The tranquility of a time and a place at home allows you to observe closely the details of a body that exposes itself, amplified by organic sounds that follow the natural rhythm of the body and the intensity of movement.
A rarefied, warm and welcoming atmosphere, which reduces the distance between audience and performance.
"There is always a uterus in us
"a reasonable uterus."
Carlo Emilio Gadda
Immersion for electroacoustic ensemble, performer with biodynamic sensors, video live set and spatialized voices.
Composition: Gabriele Marangoni
Director: Dario Garegnani
Installation project manager: Micol Riva
Live electronics and technological development: Tempo Reale
SOund director and binaural technique: Enrico Mangione
Organisation and production assistant: iulia Soravia
Performer: Stefania Tansini
Production SECRET THEATER ENSEMBLE 2019
Project inspired by the seven wonders of the world.
A dialogue between music and dance: archaic atmospheres, electronic sounds and ritual movements accompany the viewer on an intimate and personal journey.
Project, drums: Davide Bussoleni
Dance: Stefania Tansini
Video, editing: Luca Del Pia
Music: Paul Amlehn
A temporal concomitance of a presence in a landscape, a relationship of 'situation', a continuum between danced action and surrounding place in a careful present. A subtle dialogue, not forced or obvious, between a clean and crystalline gesture and an impure, real, organic landscape.
The body appears as the ever-movable meeting point between the outside and the inside, between the atmospheric law of the wind and the visceral law of the desire to slide into the present, to move from one place to another, in a movement as organically sovereign, as necessary and fatal as it is transitory.
A body that 'stands'. In a human attitude, but in a performative perspective.
An impersonal heroine, who intensifies her presence in a petrified posture, in a motionless gesture. That dilates the temporal duration of the movement and that makes the simple step a dance.
A body that intensifies, in the banality of the daily gesture, the actuality of its motor expression.
"This piece is my prayer, my attempt to analyze the mechanisms that imprison us so that we can be free again. This piece expresses my hope, my desire, that we will be able to resist our transformation into so many Barbie and the loss of our singularity."
The challenge of Thin Body is exactly the same as that of Eve Ensler: to try to go within ourselves, to tell everyone that we are not afraid. That what we fear most is the death of imagination, of originality, of passion.
Project, words: Anna Zanetti
Music: Alberto Zanini
Dance: Stefania Tansini
TEACHING AND WORKSHOPS
The objective of the lessons and workshops proposed is to experiment on other bodies the training and practice of the body that is the basis of my creative research.
A reciprocal exchange between my proposals and the answers that can be obtained, in search of an ever new meeting point.
2020: Workshop for the professional course of contemporary dance, Paolo Grassi School, Milan
Assistant to the choreography of Simona Bertozzi
2016 - 2020: Lessons in contemporary dance at the dance school 'Borgo Insigne' in San Colombano al Lambro (Mi)
2019: Workshop at Workroom, Fabbrica del Vapore, Spazio Fattoria Vittadini
Collaboration as dancer, dancer on stilts, choreographer.